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Awishkar's 'Mounraag' keeps the experimental theatre alive  

When we think as to how the Experimental plays are still holding their own identity in theatre movement, it is one and only Mr. Arun Kakade, the man responsible for the same. No wonder, he was felicitated recently with the Lifetime achievement Gaurav award by the Zee Marathi. Mr. Arun Kakade has done selfless service to the Marathi theatre for more than 50 years. Through his Awishkar Group, he has offered thousands of actors, who succeeded later at commercial level. Even today, we find that he has sacrificed his creativity in the larger interest of the theatre. His latest presentation 'Mounraag' under Awishkar banner is something that speaks about his dedication to his field of interest.


'Mounraag' is not basically written for theatre. But, these literary articles of writer Mahesh Elkunchwar have been adapted and presented on stage by Mr. Arun Kakade by making the right choice with Sachin Khedekar and Director Chandrakant Kulkarni. In the first part, the director through a monologue, reads out the thoughts of a person arising out of his dreams. Their relevance to his life and so on, very skillfully, to keep the intelligent audience engaged throughout.

In the second part, it's reminisance taking a middle aged person down memory lane to his birthplace, displaying his attachment to the place and his feelings for every corner of the old house. Sachin Khedkar, an actor par excellence, through his emotion filled voice narrates
his feelings for the old house, where he spent his early childhood. Recalling the moment, when he received a shock after hearing from his father that he had sold the old house only to shift to other place for convenience, the talented actor skillfully displays his anguish, for not consulting him before taking such an important decision.

His love for the old house, finally brings him to that place, when he is almost middle aged. He discovers some changes in the village; but fortunately finds his old house converted into a Village block office. After taking the permission, he moves around to every corner of that place to explain the audience about the importance of that place and it's significance to certain people and happenings during his childhood.

'Mounraag' is a monologue; but the manner in which in the second part Sachin explains his attachment through his expressions and body language followed by his dialogue delivery with variation, makes a big difference. Rahul Ranade's background music has been used perfectly, to create that desired impact in certain situations. Set design and light effects are the best to suit such a classy presentation. Hats off to Mr. Arun kakade, Chandrakant Kulkarni and Sachin Khedekar for their sincere efforts to keep the Experimental theatre active in today's time.

by Ulhas Shirke © MMW